East Meets West: Record of Lodoss War

When I was a kid, I used to watch Dragon Ball Z and Sailor Moon and the like, along with a lot of the American cartoons that were running at the time. I think a lot of people my age did. Those were the first animes I was exposed to. And they were pretty Japanese, even if the characters' physical appearances belied that fact.

The resemblance is subtle.

Looking back, the first anime I remember being introduced to by a friend was one that didn't make it to American TV. It was called Record of Lodoss War (ロードス島戦記), and it was right up my alley. It had kings and knights, magic, elves and dwarves, heroic quests, parties of adventurers. If you've ever played a traditional RPG, it was basically that in anime form. I remember thinking in retrospect that it was just like watching an animated Dungeons and Dragons campaign. Well, I wasn't too far off the mark.

Apparently Record of Lodoss War came about in the 80's as the first example of a new literary genre - the replay. Replays are the retellings of gaming sessions, put into light novel format. So a bunch of gaming company employees were actually playing D&D and decided that their adventure was epic enough that its story had to be told. The series' most popular character, the elf Deedlit, was played by a scifi writer dude.

Digging into the Wikipedia entry, it's quite interesting. Group SNE went on to develop a whole gaming RPG universe called Sword World. Lodoss itself was adapted into anime, manga, books, movies, etc. The world of Sword World, Forcelia, includes the island of Lodoss, plus the continents of Crystania and Alecrast, which have their own media spinoffs.

I just recently decided to borrow my sister's copies of the Lodoss DVDs and give them a second watch (to see how much of the Japanese I can understand). The animation reminds me of the old American Bass and Rankin fantasy cartoons (Lord of the Rings, Flight of Dragons, the Last Unicorn), which were Japanese-animated. I wonder if perhaps there are some common artists there. Then again, maybe that's just the way anime looked back then.

Incidentally, I also recently tried a rom for the old SNES Lodoss game, which never made it to foreign shores. About 5 minutes in I encountered a bug that froze the screen. Oh well.

Update:

And it appears both the Japanese and English versions can be found on YouTube:

Akeome 2014

あけましておめでとうございます and 今年もよろしくお願いします！

I know it's been a while, and I feel like I need to get back to it. Thus, behold this blog's new visage! I picked out a new premade template and Microsoft Painted the banner graphic myself.

So what have I been up to? For starters, a friend of mine informed me that Japanese website Cookpad is currently hiring translators to move more user-submitted recipes to their English website. I, in my ignorance, didn't even know they had an English website. Well, long story short I applied and was hired. I sent over my paperwork last week, and so any day now I should have my translating powers enabled and will be Englifying J-recipes in my free time.

I took the JLPT N1 in the beginning of December. Like I did with the N2, I was scouting it out...and it was tough. Mission accomplished. I do think that with some discipline and routine I may be able to pass it this year. I guess we'll see.

I also reapplied to JET - this time for a CIR position. I think they'll give me a serious look - my experience is solid, and my Japanese is at a decent level. But I've heard that the competition in DC is tough, so fingers crossed. If I do get hired again, the plan right now is to go back, become hella good at Japanese (that's at least one step above JLPT N1), and then see where I'm at. With good enough language skills I may consider going into translation if the international relations and business fields don't seem right.

JETAADC has also taken a lot of my time. I've been helping out with this and that as the volunteer chair since last March. It took me a year and change after coming back home to get involved with the JET alumni community. If you find yourself in a similar boat, I encourage you to participate. It really is a great way to make connections and reminisce about Japan. Even if you're not a former JET, feel free to look for events in your area. Our JETAADC events, for example, are often open to friends and family of JET and are sometimes co-hosted by other Japan-related organizations that are open to everyone.

Oh, and I just started studying a little Korean. I don't intend to get serious with it until I'm more satisfied with my Japanese, but I'd like to at least get my foot in the door and learn some hangul and basic vocab. If anyone reading this has studied Korean, any tips or resource suggestions would be most welcome!

That's it for now. I'll be back soon with some more (Japanually) substantive posts.

It's society's fault...

My first freelance translating experience

Keep those connections alive - especially those JET alumn among you!

A couple months ago I exchanged a few messages on Facebook with a JET friend of mine who I keep in loose touch with. Our time in Hyogo overlapped for a couple of years and we hung out now and then with mutual friends. These days she's working as a professional Spanish to English translator in Ireland, and I was picking her brain a little about her experiences with and leading up to that, as I see J>E translation as a definite possibility on my horizon. 

Fast forward to last week. She sent me a brief message that an old college friend of hers who's now working at a translation agency was looking for someone to translate a Japanese article to English and that she'd like to put us in touch. I agreed and thanked her, and was on my way to my first paid translation gig.

Ultimately over the course of about a week I wound up doing one translation and proofing another assigned to someone else. I don't know if the agency will contact me again to see if I'd like to do more work from them, but if so I'm going to decline for now.

I'm really grateful that I have that experience under my belt. Provided I can reach the right point and attract enough business, I could see myself being content or maybe even happy doing that kind of work. At this point, though, it's just not time effective, and I don't think my abilities are quite where they need to be. The translation was about 1800 words (roughly two pages of Japanese text) and it took me about 12 or so hours to translate and finetune it. And I had to ask some people for help with a few tricky sentences (didn't help that the article was written with some strange grammar, as a couple of my Japanese coworkers pointed out). 

They sent me the final, proofed versions of the articles this morning. They made some minor changes to the article I did, mostly playing with wording, and they did take some of the editing suggestions I made for the other piece. I'm not sure how long it'll be before I'm able to consider doing translation as a career, but I'd say this particular job was a valuable experience and a success. And the extra money this month won't hurt, either.

The Customer is God

Recently I've had some experiences/conversations that have led me to reflect on the difference of behaviors and expectations between consumers and specifically service industry workers (though I'm sure this applies more broadly) in the US and Japan. And you know, this particular instance defies the usual stereotypes. Defies, I say!

In English, we have expressions like "the customer is always right" and "the customer is king" (at least I think I've heard the latter one before). Once upon a time this may have been so, and some of the better companies may still try to adhere to this kind of thinking. However, the US is a very individualistic society, and a lot of us don't like taking crap from people, including those we're supposed to be serving. Sure, there are the perpetually moody denizens of the DMV and the Postal Service and a slew of others out there who hate their jobs, but I think a good amount of service workers just want to try to be positive and get through the day without being yelled at for things (mostly) beyond their control.

We also have the expression "You can catch more flies with honey than vinegar." Having worked in customer service positions before, I know that if I get combative and angry at an operator or receptionist, they may feel pressured to let me have my way or rectify their mistake. But they also won't go out of their way to help me. The tactic may also backfire and they may decide to drop the call or drag their feet as revenge. Either way the experience will be a lot less pleasant for both of us if I take out my frustration on the lowly service worker.

Sure, there are tons of asshats in this country. I've talked to plenty of them on the phone. But I know there are also a fair amount of people who think like me - when dealing with customer service you need to be assertive but patient, and try to be nice.

Now let's talk about the Japanese side:

お客様は神様です

The key Japanese expression to remember is "the customer is God."

"I SAID NO ONIONS!'　

There's no doubt about it - service in Japan is far superior than in America. But I sometimes wonder how good a thing that is and whether it's contributing to the high rate of depression in Japan. I'm only being half serious, but really. When I lived in Japan, I often felt bad for people who worked at department stores or restaurants. And especially convenience stores.

Imagine working at a 7-11. You have to do all the honest but menial labor associated with working at a convenience store - make food, stock shelves, ring up customers. Now imagine that you're supposed to loudly greet every customer that walks in. And shout "Thank you, come again" like Apu every time someone leaves. And when someone comes to the register, you're supposed to smile and say "Hello, thanks for shopping at 7-11!" And most of your customers just ignore you and pay without saying a word.

Ok, so that doesn't sound too bad, but what if you're just not feeling it one day? Well too bad! If your manager catches wind of you not greeting and thanking, you'll be out of a job.

To be fair, there were some workers at my (then) local conbini who were great at this. They were friendly and maybe they really liked their job. But at a majority of the places I visited in Japan, these ritualistic greetings and thanks were hollow and robotic. The workers were clearly burned out on it and probably tired of interacting without any interaction.

Japanese people are "supposed to be" おとなしい. That is, meek. Well, I guess a lot of the time they are. But not when they're buying something!

In my Japanese class the other day, we were talking about how in Japan, when customers want results, they yell. "What the hell? Can't you go any faster?!" The answer is no. When someone yells at you to go faster, you get muddled and quality and/or speed suffer. Our teacher remarked that it took her a while to get used to the "American style," where you try to be nice to service people so that they'll help you.

I don't want to go into too much detail, but I had an experience at work recently that highlighted this cultural difference. Basically my boss was upset about something and wanted me to contact the responsible parties and...yell at them. He expected that would earn us some kind of compensation or rectification of the situation. Yikes. 

Given a choice between the two, I really think it depends on what side you're on. I'm not a big fan of service jobs, but I'd much rather be doing one in the US. I don't imagine most people would rather be a customer in the States than in Japan, though. I guess I kind of wish both countries had some kind of happy medium, but it is how it is. What do you guys think?

Oh, and thank you, come again!

Direction (方向)

I've been doing a lot of soul-searching. Well, I guess that's nothing new; I tend to think a lot. As I mentioned in my last post, I'm seriously considering Japanese to English translation as a possibility. Realistically, though, I know I'm a long way off from being able to translate professionally. That's why I've decided to hunker down and rededicate myself to studying. 

I've resubscribed to TV Japan and am making a serious effort to watch (though I don't watch a ton of TV these days). I've been taking a weekly class at the Japan America Society of Washington DC, and I'm reading a lot more Japanese than I used to - online newspaper articles (often heavily aided by Rikaikun), essays, and manga. When I went to New York last month, I picked up an essay/manga book by Saori Oguri, the author of the ダーリンはは外国人 (My Darling is a Foreigner) comics. And then the J-library near where I work decided to shut down, so they were giving away most of their books. I picked up these five manga called 結婚しよう (Let's Get Married). I'm pretty sure the intended readers for the Let's Get Married books are young women, but so far it's an interesting story and it's still good for picking up vocabulary and kanji. 

A real man isn't ashamed of reading this kind of stuff.

The other day I just finished both the Oguri book and the first Let's Get Married comic; took about a month of reading both intermittently (mostly on the train). I'm feeling good about my progress, but still a long way to go...

I've been thinking, if I had known I'd want to pursue translation, I would have been better off spending another couple years in Japan on the JET Program and beefing up my Japanese skills. There're a lot of things I'd do differently given the chance, I guess. But I've mentioned that before, haven't I?

The plan could change, but for now I'm going to keep studying and looking for a better job. And if nothing better comes up by this fall, perhaps I'll reapply to JET, for a CIR position. I'm not sure how good my chances would be of being accepted a second time, and for a more competitive position, but I've got nothing to lose.

翻訳者になるって、長い道だと思う。日本に居残ったら、恋愛も仕事も精神もマシかもしれない。でも今やしょうがないな。ひたすら勉強しないと。で、また日本に行って働くチャンスもあるかも。ね。

Now I've gotta find some more books to read.

Japan Blog Matsuri: It's all about context

Holy shinola, it's been a while since I've posted. There's a backlog of things I've been meaning to share, but I fear that time has gotten away from me. I've gotten quite a bit busier and posting regularly seems to have fallen by the wayside. These things happen, but I do need to redouble my efforts. Anyhow, moving on - it's also been a while since the last Japan Blog Matsuri. I was contacted last month by Declan of KanaKanji, who's making a move to revive it, and asked if JADJ would submit something. Well, we always do our best here to oblige.

The theme of this month's Matsuri is "Japanese in Context." Specifically I think we're asked to talk about some Japanese that was really solidified for us in a particular context. I'm doing to stretch the theme a little bit, though (申し訳ない！) and talk a bit more broadly.

If you're reading this, chances are you either know first hand or have heard that Japan has a pretty high context culture. This is built into the language. The grammar, conversational style, and vocabulary lend themselves towards subtly and indirectness. This means that without a context, it is extremely difficult if not impossible to understand precisely what's going on in Japanese (written and spoken elements with their own respective challenges). Japanese nouns and verbs normally have no distinction between singular and plural forms. Last names are often used without any kind of gender-indicative title. Subjects and objects are often implied. Take a simple sentence like 「りんごを食べる」. This could presumably be translated into English as "He/she/you/I/it (will) eat(s) (an/the) apple(s)." There are probably dozens of possible meanings for this simple two-word sentence, depending on who the subject is, whether we're talking about now or in the future (or in general), how many apples we're talking about, and whether the apple(s) in question is specific or not.

I've been thinking about this kind of thing a lot lately as I contemplate the practicality of shifting my career goals towards pursuing professional translation.

A good example of the import of context (and this is uniform for any language) can be found in the case of homophones (同音異義語). Three or four weeks ago I started taking another weekly Japanese class, and we've been briefly studying a few of these every class. Just as a refresher, homophones are multiple words that share the same pronunciation but differ in meaning and sometimes spelling. Like "fair" and "fare."

Japanese has a fair share of these that usually have different kanji and sometimes slightly different intonation. Hashi - 橋 (bridge) and 箸 (chopsticks) springs to mind. When you add 熟語 (kanji compounds), there are quite a lot of these. I think this is one of the more difficult but also more interesting elements of learning Japanese - seeing all of the ways that kanji can be cobbled together to create new words. Well, it is for me, anyway.

J-Music and Me: Marty Friedman

So Marty Friedman is not Japanese, in case you didn't know. In fact, he hails from the same town I'm currently living in. It wasn't until a few years ago that I learned he had anything to do with Japan, actually. No, my knowledge of him was much more traditional.

During high school I developed a taste for rock music that over time grew and matured such that my college years were partly soundtracked by the likes of Metallica, Megadeth, Jethro Tull, Blind Guardian, and a number of other heavy metal bands of varying notoriety. And so my exposure to Marty Friedman can be credited to his role as lead guitarist for Megadeth.

A few years ago I remember Dylan mentioning on a tangent to some conversation that Marty Friedman had moved to Japan and spoke perfect fluent Japanese. "Cool," I thought, but it didn't really register.

Fast forward to now. A couple weeks ago I met and caught up with a friend that I hadn't seen in 6 or 7 years, since we studied together at 上智大学 (Sophia University) in Tokyo. She lives in NYC now, and I was in town for a couple days. Turns out she is a big metal fan, and we got to talking about different bands and artists. The other day she sent me this awesome video of Marty Friedman and Paul Gilbert on a Japanese TV show:



There are two more parts, if you care to watch. I think it's pretty rad seeing those guys rock out and speak Japanese. After watching, I did a little research. It turns out that Friedman has been living in Tokyo for about 10 years now, and last year he married a Japanese cellist. He's been a regular on several music and English-themed TV shows over there, and has done cameos in other media. He still plays, and perhaps most notably for you anime/game fans, he's a member of Sound Horizon.

Guest Post: Karuta

Ahhhh, I remember karuta. Every year the freshman class would play it at the gym in my base school, and I was asked to join in (the teachers would take turns reading off cards). But I get ahead of myself. Today's post is written by a fellow DMC fan, Jessie Guill of Pokerlistings.com. Take it away, Jessie.

--

Almost all of us have played one form of card game or another. In Japan, one of the more popular games to play is known as Karuta. On the surface, it is a simple literary game, but it may actually be one of the toughest sports that you will ever encounter. Yes, the game requires excellent hearing, sharp memory, and stamina that it is considered a sport by many. There are varieties of this game all throughout Japan, but in this article, we'd like to focus on the game of competitive karuta.

The Basics

The game uses a set of cards, called uta-garuta, where Hyakunin Isshu poems are printed. There are two decks of this card: one is called Yomifuda (reading card) where the entire poem is printed; the other is Torifuda (playing card) that contains only the last two verses of the poem.

Torifuda on the left; Yomifuda on the right

The game is typically played one-on-one. Each player gets 25 torifuda cards and strategically arranges them in three rows on the floor. The players have to memorize the positions of all cards, and we must note here that while they can recognize the texts, the opponent's cards are always up-side-down to the other player's point of view. A reader recites a yomifuda card and players compete on the torifuda card that corresponds to it. The first to touch the card gets it and removes it from the game. Once a player takes a card from the opponent's side, the said player may send one of their cards to their opponent. The first to empty their territory wins.

Sounds simple? The truth is, karuta players are advised to memorize all one hundred Hyakunin Isshu poems. That alone is challenge enough. Those who are serious (and passionate) in competing train themselves to improve their agility and accuracy. Some could even grab a card once the very first syllable has been read.

Popularity

Due to its use of classical poetry, karuta is often being taught to children in elementary and junior high schools. Some high schools have their own clubs that they send to competitions and individual tournaments are being held throughout the year. Karuta is also a traditional activity during New Year's Eve.

Lately, the game is gaining popularity among the young and even foreign anime fans. This could be credited to an ongoing manga (and anime) series called Chihayafuru, which focuses on competitive karuta. Perhaps the portrayal of karuta in this anime is a bit exaggerated, but it definitely drives interest to anyone new to the game.

A screenshot from the anime Chihayafuru where the main character swiftly takes a card

Most popular card games in the world were developed during the early times for entertainment and gambling purposes. Poker card games, for example, have evolved into different varieties and gained mainstream popularity due to wide media coverage, numerous tournaments, skilled players, and enticing stakes. While different in purpose, karuta also evolved in a similar way. Championship and other tournaments are covered by the local media, and a few TV shows build plots that revolve around karuta.

Perhaps it is because of the difference in cards being used that competitive karuta won’t be a worldwide phenomenon in the near future, but foreigners with huge interest in Japanese culture will definitely be captivated by this culture-infused card game.

Trivia: Despite the game's cultural background, the word “karuta” isn't a native Japanese term. It is adopted from “carta”, the Portuguese term for “card”.

Buying J-books in the States

Just recently I was lamenting the fact that it's difficult and/or expensive to buy Japanese media in the US (or I guess any non-Japan country). This is still true, but just a week ago or so I discovered that Japanese books can be ordered in the US. From warehouses in the US.

Kinokuniya, one of Japan's largest book retail chains, has apparently been quietly doing some international expanding over the years. In the US, they have store locations in New York, California, Oregon, and Washington state. They also do online ordering and domestic shipping. Their US website is here.

The other day I ordered a textbook for about $55 and another book for about $12. Shipping was $8. Not bad! So if you're in the market for some J-books (they also have Chinese and some English titles, though don't know why you'd want to buy the English books from them), go check it out.

They also have a membership program. I believe signing up for a year is like $20, and then you get discounts on all your purchases. Worth considering if you plan on buying a few books.